^
+ Follow WILIS Tag
WILIS
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 860740
                    [Title] => Lisa: Quintessential Giselle, Mikhail: Non-showy virtuoso, Wilis: An exquisite vision
                    [Summary] => 

Being a balletomane (or balletomaniac), and having been a ballerina in my youth (incredible as this might seem), I have seen ballet presentations in New York and London.

[DatePublished] => 2012-10-27 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 581137 [Title] => Lisa: Magnificent madness, brilliant corps de ballet / KMF scholarship audition [Summary] =>

Through decades, Giselle has been performed by some of the world’s greatest ballerinas and danseurs. To cite just one example, Margot Fonteyn portrayed Giselle and Rudolf Nureyev, Prince Albrecht, in London’s Covent Garden on Feb. 21, 1962.

[DatePublished] => 2010-06-05 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [2] => Array ( [ArticleID] => 575442 [Title] => Lisa Macuja headlines Ballet Manila's 'Giselle' [Summary] =>

Prima ballerina Lisa Macuja-Elizalde performs one of her favorite roles — and one of classical ballet’s most beloved heroines — as Ballet Manila brings back Giselle to the stage.

[DatePublished] => 2010-05-17 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [3] => Array ( [ArticleID] => 179831 [Title] => A ‘Giselle’ that’s full of dance and drama [Summary] => I have a confession to make. I have only seen the ballet Giselle once in my life. It was a splendid production by Ballet Philippines, with Cecile Sicangco in the lead, partnered by the dashing Cuban-born danseur Julio Bocca as Albrecht. The backcloth might have been as unimaginative as a pasteboard Nativity set, but the drama in Act I and the dancing in Act II swept me off my feet. I can still remember Sicangco’s face as her Giselle loses her mind. So, too, Bocca’s effortless leaps into the air.
[DatePublished] => 2002-10-14 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1420681 [AuthorName] => Joseph Cortes [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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