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Arts and Culture

Still nothing better than good writing

PENMAN - Butch Dalisay - The Philippine Star

First of all, my belated thanks to those readers who sent in their responses to the editing exercises I put out in this column a few weeks ago. In no particular order, they included Ed Maranan, Adrian Laserna, Vince Mendoza, Ver del Valle, Crisma Mina, Fely Claviolo, Renz Felipe, Ronita Dacula, Louie Recillo, Jenny Llaguno, Lydia Chan, Razielle Esguerra, and Lawrence Bernabe.

I had no time to critique each response individually, so what I’ll do is to publish, below, what I thought were the best responses, and everyone can then match their answers against this list. Just take note that, as with anything having to do with language, these answers aren’t graven in stone and could accept another word here and there.

Exercise I (Wordiness)

1.  I managed to traverse the thoroughfare without jeopardizing my safety.

I crossed the road safely.

2.  The people of the Philippines have a great liking for festive occasions.

Filipinos love fiestas.

3.  Society as a whole, as well as the individual persons in it, should practice the virtue of honesty.

Let’s be honest.

4.  In my personal opinion, it is my idea that a prohibition on pistols, revolvers and rifles should be implemented.

Ban guns.

5.  His actuations produced a profound surprise in the very depths of me.

He shocked me.

6.  We have insufficient information with regard to this state of events.

We need to know more about this.

7.  Let us satisfy the requirements of our bodies for nourishment.

Let’s eat.

8.  The outbreak of hostilities was within the realm of possibility.

War was imminent.

9.  I give you my permission to continue doing whatever it was you were doing.

Carry on.

10.  He was a uniformed enforcer of the law.

He was a cop.

Exercise II (Modulation)

1a. (nice) Filipinos are a hardworking people who can rise above their poverty through resourcefulness and strength of spirit.

1b. (nasty) The Philippines is a nation of beggars.

 2a. (neutral) The Philippine economy depends greatly on the remittances of overseas workers.

2b. (nasty) The Philippine economy would collapse without the remittances of millions of Filipinos forced to work overseas by the lack of good-paying jobs at home.

 3a. (neutral) Your proposal needs improvement.

3b. (nice) Your proposal shows promise and, with some changes here and there, can rise to its full potential.

* * *

Strictly speaking, the second exercise really no longer belongs to the realm of editing, which most often involves rendering a piece of text in its simplest, clearest, and most accurate form possible, but rather to editorializing, which is the art (some would say the nefarious art) of introducing an emotional or political slant into a statement to influence the reader’s opinion. PR specialists and propagandists (including editorial writers) do this all the time. I worked years ago as an editorial writer for a now-defunct newspaper, and one of these days I’ll do a separate piece on that experience.

I was also pleased to receive a message from a reader we’ll call Mike, who works as a content editor for the Cebu-based self-publishing arm of Penguin Random House, and who started his editing career as a copywriter for the marketing department of a Japanese vehicle-exporting firm, also in Cebu. Mike shared his experience with me, and I got his permission to quote a bit from it:

“I foolishly believed back then that, since I already had significant copywriting experience, editing would be a cinch for me. Instead, I learned the hard way that writing and editing involved two completely different kinds of skill sets and mindsets; junior copy editors in the company undergo rigorous training in the Chicago Manual of Style, and I struggled at first. I’m glad that I eventually got the hang of it, but the experience was a huge eye-opener for me. I worked as a copy editor for a couple of years (editing and indexing manuscripts submitted to us by authors looking to self-publish their work), then eventually got pulled back into the Marketing Department again, but this time as a content editor in charge of our in-house copywriters. I now edit marketing and promotional copy: website content; mailer and newsletter copy; and copy for brochures, flyers, PR kits, and other marketing and promotional materials.”

I’m taking note of Mike’s message not just because it was a pleasant surprise to me to learn that Penguin Random House had a back-office in Cebu, offering jobs to editors, but also because Mike sent me a link to a provocative article on gawker.con by Hamilton Nolan, titled “Against Editors,” which reminds us that while good editing can save a badly written draft, there’s still nothing better than good writing to begin with. Nolan says:

“This is not to say that editing is not a legitimate job. It is. It is also a necessary step in the writing process. But it is not the most important role in the writing process. That would be writing, which any honest editor will tell you is much harder than editing. (An editor who will not admit this is not worth listening to.) Reporting is a difficult chore. Writing is a psychologically agonizing struggle. Editing is not easy, but not as onerous as either of the two tasks that precede it. You would never know that, though, by looking at the relative salaries of the people who do the work.

“Good editors are valuable. They are also rare. If we simply kept the good ones and dismissed the bad ones, the ranks of editors would immediately shrink to saner levels. Editors are an important part of writing — a subordinate part. Their role in the industry should be equally subordinate…. To hire a new editor instead of a new writer is to give up actual stories in favor of... some marginal improvements, somewhere, or perhaps nothing at all.”

* * *

Email me at penmanila@yahoo.com and check out my blog at www.penmanila.ph.

vuukle comment

ADRIAN LASERNA

AGAINST EDITORS

CEBU

CHICAGO MANUAL OF STYLE

CRISMA MINA

ED MARANAN

EDITING

PENGUIN RANDOM HOUSE

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