CARATING

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                    [ArticleID] => 1282912
                    [Title] => Norberto Carating’s ‘Last Full Show’ at Now Gallery and Auctions
                    [Summary] => 
Norberto Carating presents his two-dimensional works in  “Last Full Show,” which is on view until Feb. 8 at Now Gallery and Auctions, ground floor, Ecoplaza Bldg., 2305 Chino Roces Ave. Ext., Makati City.

                    [DatePublished] => 2014-01-27 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
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                    [AuthorName] => 
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => http://img89.imageshack.us/img89/1885/58a6.jpg
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            [1] => Array
                (
                    [ArticleID] => 306808
                    [Title] => Carating comes full circle
                    [Summary] => Lito Carating recently opened an exhibit at the Hiraya Art Gallery. Carating is back in full harness doing what he does best: large works in metallic acrylic on linen canvas. The exhibit follows his café show at Cena in Greenbelt Makati last year featuring small works on paper. 


                    [DatePublished] => 2005-11-14 00:00:00
                    [ColumnID] => 133535
                    [Focus] => 0
                    [AuthorID] => 1804672
                    [AuthorName] => Ruben Defeo
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
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            [2] => Array
                (
                    [ArticleID] => 275271
                    [Title] => From big to small, from canvas to paper
                    [Summary] => Art exhibits in alternative venues like cafés and swanky lobbies have now become serious engagements as they challenge artists to pursue concerns that further their art and craft. When they became popular in the early 1960s, they were simply looked at as trendy and fashionable, many believing that such happenings were merely to capriciously accommodate the needs of artists to make easy monetary returns. 


                    [DatePublished] => 2005-04-25 00:00:00
                    [ColumnID] => 133535
                    [Focus] => 0
                    [AuthorID] => 1804672
                    [AuthorName] => Ruben Defeo
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [3] => Array
                (
                    [ArticleID] => 240076
                    [Title] => Carating’s art becomes exquisite with age
                    [Summary] => Norberto "Lito" Carating’s mastery to capture and nuance textures foregrounds his art. He is impeccably virtuous in handling what now has become his identifying medium – acrylic. The use of metallic acrylic pigments – gold, silver, copper and bronze, to cite a few – allows him to explore with textures in his compositions.
                    [DatePublished] => 2004-02-23 00:00:00
                    [ColumnID] => 133535
                    [Focus] => 0
                    [AuthorID] => 1804672
                    [AuthorName] => Ruben Defeo
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
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            [4] => Array
                (
                    [ArticleID] => 216071
                    [Title] => Carating and Lindslee  in a bookend show
                    [Summary] => Lito Carating lends valuable support to young artist Lindslee as they mount a joint exhibition of new works at the Donada Art Gallery in Malate, Manila. The exhibit, which opened on a rainy Saturday evening on July 19, runs until Aug. 10.


Simply billed as Carating/Lindslee, the exhibit is not your predictable two-man show. Rather, it is remarkably a well-knit exhibit that the works may even be mistaken to come from a single artist’s studio. 


                    [DatePublished] => 2003-08-04 00:00:00
                    [ColumnID] => 133535
                    [Focus] => 0
                    [AuthorID] => 1804672
                    [AuthorName] => Ruben Defeo
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [5] => Array
                (
                    [ArticleID] => 184207
                    [Title] => Lito Carating weaves his web
                    [Summary] => A great Indian sage has compared the act of the world’s creation to a spider weaving his web from within, and then living in the midst of it. This metaphor describes how Lito Carating has, from an interior descent into himself, emerged to create a sanctuary of large walls, with layers and layers of metallic acrylic: Gold, copper and bronze. Within these walls he sits, enigmatic and mysterious, a deity in his own universe, reflecting the hues and their movements, the under layers of shapes that dance in the light.


                    [DatePublished] => 2002-11-16 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Modern Living
                    [SectionUrl] => modern-living
                    [URL] => 
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            [6] => Array
                (
                    [ArticleID] => 142283
                    [Title] => Carating’s 24-carat paintings
                    [Summary] => Some 20 years separate this article from the first interview I had with the artist Norberto Carating for a possible write-up in a university publication. Unfortunately, the article never saw fruition for reasons better left unsaid. Writing this article, therefore, was some kind of a déjà vu for me.
                    [DatePublished] => 2001-12-03 00:00:00
                    [ColumnID] => 133535
                    [Focus] => 0
                    [AuthorID] => 1804672
                    [AuthorName] => Ruben Defeo
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [7] => Array
                (
                    [ArticleID] => 85932
                    [Title] => The Reign Of Grid
                    [Summary] => Leading abstractionist Norberto "Lito" Carating, with his flamboyant, ever-audacious spirit still intact, has once more given way to his startlingly bold visions. In the opening show of Avellana Art Gallery (220 Fresno Rd., near Leveriza in Pasay City, where the former Arts & Associates Gallery has relocated), Carating’s new works easily stand out among the rest for their atypical use of colors, textural effects and gridlines that dominate his canvases. 


                    [DatePublished] => 2001-06-18 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Arts and Culture
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Norberto Carating’s ‘Last Full Show’ at Now Gallery and Auctions

January 27, 2014 - 12:00am

Norberto Carating presents his two-dimensional works in  “Last Full Show,” which is on view until Feb. 8...

Arts and Culture

Carating comes full circle

By Ruben Defeo | November 14, 2005 - 12:00am

Lito Carating recently opened an exhibit at the Hiraya Art Gallery. Carating is back in full harness doing what he does best: large works in metallic acrylic on linen canvas. The exhibit follows his café show...

Arts and Culture

From big to small, from canvas to paper

By Ruben Defeo | April 25, 2005 - 12:00am

Art exhibits in alternative venues like cafés and swanky lobbies have now become serious engagements as they challenge artists to pursue concerns that further their art and craft. When they became popular...

Arts and Culture

Carating’s art becomes exquisite with age

By Ruben Defeo | February 23, 2004 - 12:00am

Norberto "Lito" Carating’s mastery to capture and nuance textures foregrounds his art. He is impeccably virtuous in handling what now has become his identifying medium – acrylic. The use of metallic...

Arts and Culture

Carating and Lindslee in a bookend show

By Ruben Defeo | August 4, 2003 - 12:00am

Lito Carating lends valuable support to young artist Lindslee as they mount a joint exhibition of new works at the Donada Art Gallery in Malate, Manila. The exhibit, which opened on a rainy Saturday evening on July...

Arts and Culture

Lito Carating weaves his web

November 16, 2002 - 12:00am

A great Indian sage has compared the act of the world’s creation to a spider weaving his web from within, and then living in the midst of it. This metaphor describes how Lito Carating has, from an interior descent...

Modern Living

Carating’s 24-carat paintings

By Ruben Defeo | December 3, 2001 - 12:00am

Some 20 years separate this article from the first interview I had with the artist Norberto Carating for a possible write-up in a university publication. Unfortunately, the article never saw fruition for reasons...

Arts and Culture

The Reign Of Grid

June 18, 2001 - 12:00am

Leading abstractionist Norberto "Lito" Carating, with his flamboyant, ever-audacious spirit still intact, has once more given way to his startlingly bold visions. In the opening show of Avellana Art Gallery (220...

Arts and Culture