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Let’s make great music!

Ryan Cayabyab (The Philippine Star) - April 5, 2013 - 12:00am

MANILA, Philippines - The first Metro Manila Popular Music Festival is very close to my heart, as I was then at a dilemma whether to finish my bachelor of music course at the UP College of Music or not. I had been in and out of college like most young professional musicians, making a living and working as a full-time musician.

I remember telling myself in September of 1977 as I recorded my song entry Kay Ganda ng Ating Musika, that if I’d lose the contest, I would say goodbye to work and finish my studies instead. And if I did win the contest, I would have to stop schooling and concentrate on professional work. True to what has transpired, I stopped going to school the next year but eventually returned to finish all my requirements in 1983.

The first Philippine Popular Music Festival was launched last year, a good 35 years after the first Metro Pop, which was born on March 8, 1977 and officially launched on Aug. 15 of the same year. Written in the program of the grand finals night held on March 3, 1978, was one of the Metro Pop objectives: “To develop, promote and enhance popular Filipino music by providing the proper vehicle by which it could be properly given exposure in the country and eventually abroad.”

The Philpop Musicfest Foundation shares the same vision, although it is not 100 percent right to say that both festivals were born out of a reaction to the same problems and needs of the times. It is uncanny that partly the same reason applies to the present.

I again quote from the program to show how it was back then, and how much Philippine pop music culture it seems, has not changed in the last 35 years: “Philippine popular music is at its most promising stage today. The wide acceptance of current Filipino tunes indicates that local audiences have finally come to appreciate and recognize the merits of original Filipino compositions. This growth of nationalism, so to speak, signifies a reaction against foreign dominance of the local music industry, and the realization of the need to establish a musical identity of our own.” It reads like it was written only yesterday.

But wait. There had been great OPM acts that had come and gone in the past 35 years, and there is a lot of movement happening in the present OPM scene.

When the solo stars of the ’70s and ’80s made way for the emergence of the biggest band acts of the ’90s to 2000s, and the most memorable songs ever written remain memorable, what are we harping about?

Yes, we felt the Canto-Pop ripple (Taiwan-pop to be more specific, with F4 et. al.), the J-Pop and later (still current) the K-Pop invasion, I firmly believe these will all pass.

We Pinoys are voracious consumers of popular music. I have never seen so many foreign musical acts landing on our shores and accorded the de-rigueur adulation given these. The Filipino pop music consumer has never had it so good.

Why, even lesser known imported musical acts — aptly described as indie or non-mainstream acts — are sold-out events! And there are many of them coming one after the other. I can hear many local performers saying “enough already.” But why feel defeated?

If you ask me, this situation only makes me want to roll up my sleeves and give it the competition it deserves. There is so much more we can offer, believe me.

And to think we have just started. We just need to be more diligent, need to work harder, research further, analyze more and aggressively create more original music material.

Which brings me to what my original intention was, writing this piece. If you want to make a difference in the Pinoy pop music scene, you could contribute by submitting the hit song, or the winning song, or tomorrow’s classic song in this year’s edition of the Philippine Popular Music Festival 2013. You have a couple more days to write and upload that song that might have the entire country singing this year and the years to come.

Philpop is accepting original song entries on www.philpop.com.ph until April 15. Full details of the competition are available on the website. You may follow @philpopmusic on Twitter and www.facebook.com/philippinepopularmusicfestival.

PhilPOP is presented by Maynilad, Smart, Meralco, PLDT, Resorts World Manila, TV5, Metro Pacific Investments Corporation, NLEX, Sun Cellular, the First Pacific Leadership Academy, KBP and Philex.

 

ATING MUSIKA COLLEGE OF MUSIC FIRST PACIFIC LEADERSHIP ACADEMY KAY GANDA METRO MANILA POPULAR MUSIC FESTIVAL METRO PACIFIC INVESTMENTS CORPORATION METRO POP MUSIC PHILIPPINE POPULAR MUSIC FESTIVAL POP
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