Pablo A. Tariman
Pablo A. Tariman
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Why Filipinos will like ‘turandot’
by Pablo A. Tariman - November 28, 2022 - 12:00am
In the Turandot presscon, someone pointed out that opera is so hard to nurture in a place like Manila.
MSO’s virtual concert for a cause
by Pablo A. Tariman - November 5, 2020 - 12:00am
It seems bizarre watching a concert through a private password in the internet.
Showbiz love, Thai-style
by Pablo A. Tariman - September 18, 2020 - 12:00am
Where does restlessness bring you in this uncertain time of the pandemic?
Evil in academe
by Pablo A. Tariman - August 23, 2020 - 12:00am
The story of the Korean drama, Sky Castle, is pretty familiar even in a local setting.
Crash landing on AR games
by Pablo A. Tariman - August 8, 2020 - 12:00am
Before Crash Landing On You courtesy of Netflix, the sensation of the hour, Hyun Bin, was in another hit Korean TV drama called Memories of the Alhambra. The series is still streaming on Netflix.
The inevitable quarantine path of Cinemalaya 2020
by Pablo A. Tariman - July 31, 2020 - 12:00am
The trouble with Zoom press conferences is that you thought you knew it all.
Maurice Claudio Luis Ruiz de Luzuriaga Gallaga, 76 My love affair with Peque’s films
by Pablo A. Tariman - May 13, 2020 - 12:00am
When direk Peque Gallaga breathed his last on May 7 in a Bacolod hospital, I felt a big part of my love for cinema ended with him as well.
John Denver Trending competes in Asia Pacific Screen Awards
by Pablo A. Tariman - April 30, 2020 - 12:00am
On the eighth month after Arden Rod Condez’s John Denver Trending won Best Picture in the 2019 Cinemalaya, the poignant film about small-town happenings has graced six international film fests, won more awards...
The exquisite bliss of solitude according to Cherie Gil
by Pablo A. Tariman - April 23, 2020 - 12:00am
Cherie Gil spent a quiet New Year alone in Manila but when Kobe Bryant died in a helicopter crash, she decided to head back to New York to see her family.
Gina Alajar in the time of coronavirus
by Pablo A. Tariman - April 15, 2020 - 12:00am
Like everyone else during the early part of coronavirus, Gina Alajar found herself locked up at home.
A once and future love
by Pablo A. Tariman - February 28, 2020 - 12:00am
You can say Us Again is one of those Valentine offerings cashing in on the commercial appeal of St. Valentine’s Day.
A familiar story deeply told
by Pablo A. Tariman - February 20, 2020 - 12:00am
How do you feel filming a story that is done to death on Philippine media?
Doing fun movie in the age of gloom
by Pablo A. Tariman - February 14, 2020 - 12:00am
This is no good month to feel optimistic about anything.
Mikhail Red’s ultimate zombie challenge
by Pablo A. Tariman - January 25, 2020 - 12:00am
The director and members of the cast of Block Z have varying exposures to zombie movies (Train To Busan, Danny Boyle’s 28 Days Later, Zombieland) and many others.
Free spirits
by Pablo A. Tariman - January 23, 2020 - 12:00am
Maria Diane Ventura’s Deine Farbe (Your Color) is an absorbing tale of two friends going through late teen and early adulthood blues.
The curious case of the beauteous medical doctor
by Pablo A. Tariman - January 18, 2020 - 12:00am
Veronica Velasco’s Mia is a refreshing new rom-com with a lot to say about love and healing and yes, climate change.
The art of screenwriting according to direk Crisanto Aquino
by Pablo A. Tariman - December 24, 2019 - 12:00am
There is very little written about writers probably because they don’t make for interesting subjects good enough for a romantic story fit for screen adaptation.
Vice Ganda: People just want to have a good laugh
by Pablo A. Tariman - December 22, 2019 - 12:00am
The last seven years of Vice Ganda’s life is a consistent success story.
Scenes from Adolescence
by Pablo A. Tariman - December 21, 2019 - 12:00am
Jun Lana’s latest excellent output is another jarring look at Philippine society and its hypocritical outlook.
Horror from within and beyond
by Pablo A. Tariman - December 20, 2019 - 12:00am
One of the more exciting entries in the current Metro Manila Film Festival is the directorial debut of Carlo Ledesma in the horror genre.
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