IAN CURTIS

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                    [ArticleID] => 658103
                    [Title] => Be quiet and let 'em rock
                    [Summary] => 
I can barely shuffle my feet; my calves are in so much pain.
                    [DatePublished] => 2011-02-18 00:00:00
                    [ColumnID] => 136154
                    [Focus] => 0
                    [AuthorID] => 1670957
                    [AuthorName] => Regina Belmonte
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => http://img546.imageshack.us/img546/4610/ystar2thumb.jpg
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            [1] => Array
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                    [ArticleID] => 604024
                    [Title] => Notes on music (and other natural disasters)
                    [Summary] => 
There’s nothing like listening to stuff like Beethoven’s Third Symphony or perhaps any piece by Richard Wagner during a storm.
                    [DatePublished] => 2010-08-20 00:00:00
                    [ColumnID] => 135989
                    [Focus] => 0
                    [AuthorID] => 1308998
                    [AuthorName] => Erwin T. Romulo
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => http://a.imageshack.us/img217/8880/ystar1thumb.jpg
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                    [ArticleID] => 36390
                    [Title] => Biopicky
                    [Summary] => 
What makes a good musical biopic? For every Sid and Nancy, why must we suffer through conventional narratives like Ray and Walk the Line? When we have masterful glimpses of rock mythology like The Hours and Times (a look at a young John Lennon hanging out with Beatle manager Brian Epstein), why must there also exist over-the-top musings such as Oliver Stone’s The Doors?
                    [DatePublished] => 2008-01-02 00:00:00
                    [ColumnID] => 136008
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Fashion and Beauty
                    [SectionUrl] => fashion-and-beauty
                    [URL] => 
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                    [ArticleID] => 280208
                    [Title] => Making dance music in Dracula’s castle
                    [Summary] => The setting: Actress Jane Seymour’s manor house outside of Bath in England. The dramatis personae: A pioneering post-punk slash electro-pop band from Manchester composed of singer-guitarist Bernard "Barney" Sumner, bassist Peter "Hooky" Hook, drummer Stephen Morris, and newest member Phil Cunningham who alternates on guitar and keyboards. 


                    [DatePublished] => 2005-06-03 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
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abtest

Be quiet and let 'em rock

By Regina Belmonte | February 18, 2011 - 12:00am

I can barely shuffle my feet; my calves are in so much pain.

Young Star

Notes on music (and other natural disasters)

By Erwin T. Romulo | August 20, 2010 - 12:00am

There’s nothing like listening to stuff like Beethoven’s Third Symphony or perhaps any piece by Richard Wagner...

Young Star

Biopicky

By Scott R. Garceau | January 2, 2008 - 12:00am

What makes a good musical biopic? For every Sid and Nancy, why must we suffer through conventional narratives like Ray and Walk the Line? When we have masterful glimpses of rock mythology like The Hours and Times...

Fashion and Beauty

Making dance music in Dracula’s castle

By Igan D’Bayan | June 3, 2005 - 12:00am

The setting: Actress Jane Seymour’s manor house outside of Bath in England. The dramatis personae: A pioneering post-punk slash electro-pop band from Manchester composed of singer-guitarist Bernard "Barney"...

Young Star