^
+ Follow BOBBY ENRIQUEZ Tag
BOBBY ENRIQUEZ
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 1335606
                    [Title] => Her heart beats for Filipino fans
                    [Summary] => 

She is best remembered as the lead vocalist of the esteemed vocal pop-jazz group, Manhattan Transfer, the American band that churned out memorable hits like Boy From New York City, Twilight Zone and Smile Again. She also pursued a solo career and released albums that all the more heightened her musicality.

[DatePublished] => 2014-06-17 00:00:00 [ColumnID] => 0 [Focus] => 0 [AuthorID] => 1452141 [AuthorName] => Leah C. Salterio [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [1] => Array ( [ArticleID] => 1335300 [Title] => Her heart beats for Filipino fans [Summary] =>

She is best remembered as the lead vocalist of the esteemed vocal pop-jazz group, Manhattan Transfer, the American band that churned out memorable hits like Boy From New York City, Twilight Zone and Smile Again.

[DatePublished] => 2014-06-16 00:00:00 [ColumnID] => 0 [Focus] => 0 [AuthorID] => 1452141 [AuthorName] => Leah C. Salterio [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [2] => Array ( [ArticleID] => 288104 [Title] => Taking swing on a new swing [Summary] => There’s not much rambling verbosity among members of the Affinity jazz group, perhaps because their best conversation happens when their music is being played. Such is the interplay and level of "affinity" in this progressive jazz quintet that has been making waves lately in Manila’s tightly-knit but rather sluggish jazz community.
[DatePublished] => 2005-07-25 00:00:00 [ColumnID] => 134006 [Focus] => 0 [AuthorID] => 1804782 [AuthorName] => Boy Abunda [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [3] => Array ( [ArticleID] => 271202 [Title] => In the house of jazz [Summary] => Anyone who wants to take that long strange trip called Pinoy jazz need only to read through Richie C. Quirino’s Pinoy Jazz Traditions (Anvil 2004), which helps address the dearth in scholarly music journalism in the country. The only other comparable book that comes to mind is Eric Caruncho’s own extended chronicle of the rock scene released some years ago, also by Anvil.
[DatePublished] => 2005-03-21 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [4] => Array ( [ArticleID] => 205906 [Title] => The musical education of Eddie K. [Summary] => After 36 years in the music industry, there is no sign that sax icon Eddie Katindig will ever, ever consider the word "on leave" or "semi-retired."

Nowadays, he is either fulfilling another engagement abroad or going to Boracay for another weekend performance or considering another Manila engagement.
[DatePublished] => 2003-05-13 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1637557 [AuthorName] => Pablo A. Tariman [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [5] => Array ( [ArticleID] => 169868 [Title] => Still swingin’ after all these years [Summary] => Remember that classic scene in the movie Wayne’s World where the two lead stars, face to face with their revered rock gods for the first time, get down on their knees, bow their heads and chant, "We’re not worthyyyyyyy!!!!?"

Well, that could very well be the same sentiment echoed by a tight-knit circle of jazz musicians, aficionados, and critics whose young and fertile ears have been influenced by the sheer depth of one man’s improvisational genius.
[DatePublished] => 2002-07-28 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1773807 [AuthorName] => Tinnie P. Esguerra [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
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