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                    [ArticleID] => 1384297
                    [Title] => Hello, Helvetica
                    [Summary] => 

Almost 20 years ago, in a column for another paper, I said “Goodbye to Garamond,” in reference to how the world of typography — the way by which the printed word is presented to us by publishers, advertisers  and the media — was perceptibly changing.

[DatePublished] => 2014-10-27 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => http://media.philstar.com/images/the-philippine-star/lifestyle/arts-and-culture/20141027/Hello-Helvetica-text-font.jpg ) [1] => Array ( [ArticleID] => 382336 [Title] => Publishing peeves [Summary] => Last week I made mention of a pet peeve I’ve nursed all these years: the practice of some publishers and graphic designers of superimposing text over graphics to the extent of rendering the text barely legible. It’s something that’s been done by professionals and amateurs alike; I’ve seen it in both glossy coffee-table books and high-school papers, perpetrated with a blithe indifference to whatever the words may be saying.
[DatePublished] => 2007-01-29 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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