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Almost 20 years ago, in a column for another paper, I said “Goodbye to Garamond,” in reference to how the world of typography — the way by which the printed word is presented to us by publishers, advertisers  and the media — was perceptibly changing.

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Last week I made mention of a pet peeve I’ve nursed all these years: the practice of some publishers and graphic designers of superimposing text over graphics to the extent of rendering the text barely legible. It’s something that’s been done by professionals and amateurs alike; I’ve seen it in both glossy coffee-table books and high-school papers, perpetrated with a blithe indifference to whatever the words may be saying. 


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Last week I made mention of a pet peeve I’ve nursed all these years: the practice of some publishers and graphic designers of superimposing text over graphics to the extent of rendering the text barely legible. It’s something that’s been done by professionals and amateurs alike; I’ve seen it in both glossy coffee-table books and high-school papers, perpetrated with a blithe indifference to whatever the words may be saying. 


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abtest

Hello, Helvetica

By Butch Dalisay | October 27, 2014 - 12:00am

Almost 20 years ago, in a column for another paper, I said “Goodbye to Garamond,” in reference to how the world...

Arts and Culture

Publishing peeves

By Butch Dalisay | January 29, 2007 - 12:00am

Last week I made mention of a pet peeve I’ve nursed all these years: the practice of some publishers and graphic designers of superimposing text over graphics to the extent of rendering the text barely...

Arts and Culture