^
+ Follow EVEN RAMON DE VEYRA Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 307284
                    [Title] => Some kind of monster
                    [Summary] => Let’s get this out of the way:  Rico Ilarde’s Sa Ilalim ng Cogon is a genre film.  (One can practically hear the collective gasps – not by an audience eager for Hideo Nakata shockers – but rather from critics who tout terms like "third-world cinema" and tremble at the mere mention of Lino Brocka.)  Within the ghetto of independent filmmaking, genre filmmaking is a dump that even Brocka rarely ventured into.  

[DatePublished] => 2005-11-18 00:00:00 [ColumnID] => 135989 [Focus] => 0 [AuthorID] => 1308998 [AuthorName] => Erwin T. Romulo [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
EVEN RAMON DE VEYRA
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 307284
                    [Title] => Some kind of monster
                    [Summary] => Let’s get this out of the way:  Rico Ilarde’s Sa Ilalim ng Cogon is a genre film.  (One can practically hear the collective gasps – not by an audience eager for Hideo Nakata shockers – but rather from critics who tout terms like "third-world cinema" and tremble at the mere mention of Lino Brocka.)  Within the ghetto of independent filmmaking, genre filmmaking is a dump that even Brocka rarely ventured into.  

[DatePublished] => 2005-11-18 00:00:00 [ColumnID] => 135989 [Focus] => 0 [AuthorID] => 1308998 [AuthorName] => Erwin T. Romulo [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
abtest
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