AMADIS MA

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                    [Title] => Purita’s informal registers
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Spanning a remarkable 52 years, Purita Kalaw-Ledesma’s scrapbooks constitute an unofficial sketch of the times; an informal register of thoughts and things. It’s impossible not to feel overwhelmed.

                    [DatePublished] => 2016-01-31 09:00:00
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                    [ArticleID] => 1282908
                    [Title] => Purita Kalaw Ledesma: An accidental writer for the arts
                    [Summary] => 
The woman behind the Purita Kalaw Ledesma Prize for Art Criticism — now part of the annual Ateneo Art Awards — may have been a pioneer art scholar, but she never considered herself a writer.

                    [DatePublished] => 2014-01-27 00:00:00
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                    [AuthorID] => 1128507
                    [AuthorName] => Anne Marie Ozaeta
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
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                    [Title] => Looking through the looking glass: 25 years of Tanghalang Pilipino
                    [Summary] => 
Souvenir programs in the theater are exactly that: they represent for the audience something to take away when the lights go back up, proof that one has been down the rabbit hole or through the looking glass, and come back a slightly changed if not different person.
                    [DatePublished] => 2012-10-14 00:00:00
                    [ColumnID] => 133272
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                    [AuthorID] => 1431668
                    [AuthorName] => Juaniyo Arcellana
                    [SectionName] => Starweek Magazine
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                    [Title] => Rosalinda Orosa turns back the pages
                    [Summary] => 
Literary critic Amadis Ma. Guerrero describes the wide range of subjects in Turning Back the Pages as “remarkable.”
                    [DatePublished] => 2011-05-16 00:00:00
                    [ColumnID] => 133272
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                    [AuthorID] => 1314674
                    [AuthorName] => Evelyn R. Garcia
                    [SectionName] => Arts and Culture
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                    [Title] => Rustica Carpio:
                    [Summary] => She glides into center stage, serpentine skirt swishing and crisp kimona shimmering with every step – the emerald terno bringing out the inextinguishable fire in her eyes. She sang the kundiman and the FEU Auditorium was transformed into a magical place.
                    [DatePublished] => 2004-02-20 00:00:00
                    [ColumnID] => 133272
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                    [AuthorID] => 1544899
                    [AuthorName] => Nenet Galang-Pereña
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Purita’s informal registers

January 31, 2016 - 9:00am

Spanning a remarkable 52 years, Purita Kalaw-Ledesma’s scrapbooks constitute an unofficial sketch of the times; an informal register of thoughts and things. It’s impossible not to feel overwhelmed. ...

Arts and Culture

Purita Kalaw Ledesma: An accidental writer for the arts

By Anne Marie Ozaeta | January 27, 2014 - 12:00am

The woman behind the Purita Kalaw Ledesma Prize for Art Criticism — now part of the annual Ateneo Art Awards —...

Arts and Culture

Looking through the looking glass: 25 years of Tanghalang Pilipino

By Juaniyo Arcellana | October 14, 2012 - 12:00am

Souvenir programs in the theater are exactly that: they represent for the audience something to take away when the lights go back up, proof that one has been down the rabbit hole or through the looking glass, and...

Starweek Magazine

Rosalinda Orosa turns back the pages

By Evelyn R. Garcia | May 16, 2011 - 12:00am

Literary critic Amadis Ma. Guerrero describes the wide range of subjects in Turning Back the Pages as “remarkable.”

Arts and Culture

Rustica Carpio:

By Nenet Galang-Pereña | February 20, 2004 - 12:00am

She glides into center stage, serpentine skirt swishing and crisp kimona shimmering with every step – the emerald terno bringing out the inextinguishable fire in her eyes. She sang the kundiman and the FEU Auditorium...

Entertainment