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                    [Title] => The Filmmaker In His Lair
                    [Summary] => 
You can begin with a close-up, maybe of a pair of spectacles being laid down on a table. It doesn’t have to be in the script or storyboard, but the close-up could lead to essential development of character.


You can begin with the director Eddie Romero laying down his eyeglasses on the coffeetable in his living room in a house on Orestes Lane, off Mariposa in Cubao, a stone’s throw away from the old storied LVN studios.


                    [DatePublished] => 2006-02-12 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1431668
                    [AuthorName] => Juaniyo Arcellana
                    [SectionName] => Starweek Magazine
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SINONG KAPILING

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                    [Title] => The Filmmaker In His Lair
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You can begin with a close-up, maybe of a pair of spectacles being laid down on a table. It doesn’t have to be in the script or storyboard, but the close-up could lead to essential development of character.


You can begin with the director Eddie Romero laying down his eyeglasses on the coffeetable in his living room in a house on Orestes Lane, off Mariposa in Cubao, a stone’s throw away from the old storied LVN studios.


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abtest

The Filmmaker In His Lair

By Juaniyo Arcellana | February 12, 2006 - 12:00am

You can begin with a close-up, maybe of a pair of spectacles being laid down on a table. It doesn’t have to be in the script or storyboard, but the close-up could lead to essential development of character. You...

Starweek Magazine