+ Follow LINKLATER Tag
LINKLATER
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 1421773
[Title] => 'Birdman' bests 'Boyhood' again on the road to the Oscars
[Summary] => The long takes of Alejandro Inarritu's "Birdman" won out over the long production of Richard Linklater's "Boyhood" at the Directors Guild Awards Saturday.
[DatePublished] => 2015-02-08 22:40:42
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1462205
[AuthorName] => Lindsey Bahr
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] => http://media.philstar.com/images/the-philippine-star/entertainment/20150208/67th%20Annual%20DGA%20Award_Guti.jpg
)
[1] => Array
(
[ArticleID] => 1402261
[Title] => About a boy
[Summary] => You can Benjamin Button your way to the Oscars with CGI all you like, or lay on the aging makeup if you want to capture the passage of time on film, but if you’re Richard Linklater, you go old school: he was in it for the long haul when he filmed Boyhood over a dozen years, charting the growing-up years of his actors and actresses in one of the most satisfying movies of 2014.
[DatePublished] => 2014-12-14 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[2] => Array
(
[ArticleID] => 965761
[Title] => Never say forever
[Summary] => As a child, the pursuit of happiness is a squealing “yes” that is met with a laugh or a hush; get a little older, and it is often denied, with a darker sort of glee. I cannot say whether Before Midnight makes me happy or not — just as Ethan Hawke and Julie Delpy’s characters, back together in the third installment of director Richard Linklater’s Before… series, cannot easily say whether they are happy, whether what they have is still love.
[DatePublished] => 2013-07-14 00:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1619849
[AuthorName] => Nicola Sebastian
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[3] => Array
(
[ArticleID] => 964412
[Title] => Film review: Before Midnight They save their best work for last
[Summary] => It’s hard to watch Before Midnight while resisting the urge to take notes that will be useful in real life.
[DatePublished] => 2013-07-12 00:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1155285
[AuthorName] => Averill Pizarro
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
[4] => Array
(
[ArticleID] => 959679
[Title] => The talking cure
[Summary] => Jesse and Celine: they walk, they talk, they kvetch, they philosophize, they love, they fight.
[DatePublished] => 2013-06-30 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[5] => Array
(
[ArticleID] => 749787
[Title] => My so-called waking life
[Summary] => Waking life is a dream controlled. — George Santayana
[DatePublished] => 2011-11-20 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[6] => Array
(
[ArticleID] => 388952
[Title] => Sex, fries and videotape
[Summary] =>
There’s a recurring phrase in Richard Linklater’s movie Fast Food Nation that’s supposed to make us all wake up and get angry: "There’s shit in the meat." Variations on this phrase are uttered by several characters, including Don Henderson (Greg Kinnear), a PR guy for the fictional fast-food chain called Mickey’s (how close can you get without being sued?) that sells a jumbo burger called the "Big One." Don is sent to Cody, Wyoming, to visit Mickey’s meat supplier and sniff out the truth.
[DatePublished] => 2007-03-11 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
)
)
abtest
