ENGLISHMAN CHRISTIAN BALE

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                    [ArticleID] => 94228
                    [Title] => Sloppy seconds
                    [Summary] => During the opening credits to Hannibal, director Ridley Scott’s long-awaited follow-up to The Silence of the Lambs, a piece of music plays: it’s the "Aria" to Bach’s Goldberg Variations, performed by Glenn Gould. But this is not the earlier, more spry version recorded by Gould in his youth; it’s the later, longer version, recorded in his 40s: tentative, hesistant, full of stops and starts signifying an older, more meditative mind at work.


                    [DatePublished] => 2001-03-20 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1804693
                    [AuthorName] => Scott R. Garceau
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
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Sloppy seconds

By Scott R. Garceau | March 20, 2001 - 12:00am

During the opening credits to Hannibal, director Ridley Scott’s long-awaited follow-up to The Silence of the Lambs, a piece of music plays: it’s the "Aria" to Bach’s Goldberg Variations,...

Entertainment