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Edna: Film on OFWs graded ‘A’

The film starring Irma Adlawan in the title role is about an OFW who returns home only to find her family changed by her absence

MANILA, Philippines - Edna, a film about an Overseas Filipino Worker (OFW) who returns to the country to find her family changed by her absence, hits theaters nationwide starting May 20.

The movie, starring Cinemalaya 2013 Best Actress Irma Adlawan in the title role, is the first directorial job of veteran actor Ronnie Lazaro, who also plays Irma’s husband in the film. 

Produced by Tonet Gedang’s Artiste Entertainment, Edna has been graded “A” by the Cinema Evaluation Board (CEB).

Aside from direk Ronnie (who also conceptualized the story, with screenplay by Lallie Bucoy), Edna also stars Nicco Manalo, Sue Prado, Frances Makil, Mara Marasigan, Micko Laurente and Kiko Matos. 

Direk Ronnie is grateful to have been trusted to direct the film among so many actors and directors. “I will always be grateful to my friend, Tonet Gedang, for giving me the opportunity,” he says.

While most films about OFWs talk about misfortunes they suffer while working abroad, Edna approaches the problem from a different perspective. A psychological study in Filipino family dynamics, the movie focuses on what Edna finds when she returns to the country after years of working abroad. 

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Irma’s character comes home to find a family living a life very different from the one they had when she left.

Edna is the directorial debut of Ronnie Lazaro

She has problems adjusting to this, and how she deals with being shut out of her family’s life is one of the major points of the film.

Ronnie had a specific reason for wanting to bring a story like Edna to the screen. “This is my take on our people who work abroad. I notice that they come from our country, and they go abroad because they have to work. They spend years there, absorbing a different culture, tapos pagbalik, nag-cra-crack sila. They don’t get crazy but there’s something different in them and I’m not making this up because I always observe people. Marami na rin akong nakitang ganito. So I thought, ‘Why don’t I do something like that?’”

Irma tries to put her finger on what differentiates Edna from all the other OFW-related movies that are out there.

“Maybe something that is different about this is that it tackles the psychological effects on people who go out of the country to support their families. People who get uprooted. So, what happens to them? Actually, ‘yun yung subject matter I think na hindi masyadong nata-tackle sa OFW movies. Usually, the central conflict in this kind of film is nagloloko yung mga anak, or nag-TNT pala, but this time around, the focus is the psychological effect of being uprooted and alone from family... and what if something bad happens to them there abroad? Tapos pagbalik hindi na siya kilala nung mga anak niya?”

Direk Ronnie believes that with Edna, “we have created a good product.” He is excited for people to see it and talk about it, and how it affected them as Filipinos. It’s an eye-opener that he hopes will teach Pinoys valuable lessons about work, sacrifice and family.

Apart from the commercial run, Edna will have an exclusive preview at the Metropolitan Museum on April 28, Instituto Cervantes de Manila (May 9) and will be touring in Adamson University (April 22), UP Los Baños (April 30) and UP Diliman Film Center (May 18). 

For details, check out Edna’s Facebook page https://www.facebook.com/Edna.Film2014.

 

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